1. M. Fliciak Grajacy kapitalizm

2. Gerard Alberts, Ruth Oldenzier, Hacking Europe, Springer 2014.

3. P. Wasiak, “Amis and Euros.” Software Import and Contacts Between European and American Cracking Scenes

4. B. Bagnall, Commodore a company on the edge, VARIANT PRESS 2011.

5. Markku Reunanen, Computer Demos—What Makes Them Tick? 2010.

6. P. Wasiak Computer Dealer Demos: Selling Home Computers with Bouncing Balls and Animated Logos

7. M.Newman Atari Age: The Emergence of Video Games in America 

8. P. Wasiak Computing behind the Iron Curtain: Social Impact of Home Computers in the Polish People’s Republic, 2010.

9. P. Wasiak CZY NEUROMANCER LUBI WODNIKA SZUWARKA? ZINY KOMPUTEROWE I KAPITAŁ SUBKULTUROWY POLSKIEJ MŁODZIEŻY W OKRESIE TRANSFORMACJI USTROJOWEJ

10. Shirley Shor, Aviv Eyal, DEMOing. A new emerging art form or just another digital craft?, https://noemalab.eu/ideas/essay/demoing-a-new-emerging-art-form-or-just-another-digital-craft/.

11. Markku Reunanen, Antti Silvast,Demoscene Platforms: A Case Study on the Adoption of Home Computers

12. P. Wasiak, Dropping Out of Socialism with the Commodore 64

13. Gleb J. Albert From Currency in the Warez Economy to Self-Sufficient Art Form: Text Mode Graphics and the “Scene”

14. Jaroslav Švelch, Gaming the Iron Curtain: How Teenagers and Amateurs in Communist Czechoslovakia Claimed the Medium of Computer Games, MIT Press 2018.

15. Michael Bruce Sterling,The Hacker Crackdown Law and Disorder on the Electronic Frontier,1993.

16. P. Wasiak, Crack Intros: Piracy, Creativity, and Communication.

17. P. Wasiak, Playing and copying: social practices of home computer users in Poland

during the 1980s, 2014.

18. Emmanoel, Ferreira, Abel Duarte, Por dentro da demoscene: uma investigação dos atuais usos e

apropriações de plataformas de computadores dos anos 1980 (anotações preliminares).

19. M. Reunanen,P.Wasiak, D.Botz, Crack Intros:Piracy, Creativity, and Communication

20. Steven Levy, Hackers, O’Reilly Media 2010.

21. Kevin Mitnick, Ghost in the Wires, Little, Brown and Company 2012.

22. P. Wasiak, Strategie reklamowe polskich piratów komputerowych w okresie transformacji systemowej

23. Tamás Polgár, Freax, CSW-Verlag Hauffstr. 10, 71364 Winnenden, Germany 2008.

24. M. Raunanen, TIMES OF CHANGE IN THE DEMOSCENE A Creative Community and Its Relationship with Technology

25. P. Wasiak, GRALI I KOPIOWALI  GRY KOMPUTEROWE W PRL JAKO PROBLEM BADAWCZY

26. P. Wasiak,  Media Images of »Conspicuous Consumption« and Private Entrepreneurs in Post-communist Poland

27. P. Wasiak “Amis and Euros.” Software Import and Contacts Between European and American Cracking Scenes

28. Ha!art47, Demoscena, 2014.

29. Marcin Kosman, NIE TYLKO WIEDZMIN Historia polskich gier komputerowych, Open Beta 2015.

30. Meritums, Spectrums and Narrative Memories of ‘Pre-Personal’ Computing in Cold

War Europe, Sociological Review 55, 2 (2007) pp.227-250..

31. George Borzyskowski, "THE HACKER DEMO SCENE AND IT'S CULTURAL ARTIFACTS", Curtin University of Technology 2000.

32. Chris Wilkins, Roger M. Kean,The story of Commodore, Amiga in pixels,Fusion Retro Books 2017.

33. P. Wasiak, “The Digital Revolution of the 1980s in Central Europe. The Case of Poland,”

34. Tim Lapetino. Art of Atari, DYnamite.
35. Piotr Marecki ROBBO. SOLUCJA [FRAGMENTY POSŁOWIA]
36. Piotr Marecki. Tomasz TDC Cieślewicz (wywiad-rzeka) Oni migają tymi kolorami w sposób profesjonalny. Narodziny gamedevu z ducha demosceny w Polsce
37. P. Marecki, yerzmyey, R. Straka, ZX Spectrum, wyd Uniwersytet Jagielloński 2019